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	<title>Aurelie.B.Dubois</title>
	<link>https://aureliebdubois.net</link>
	<description>Aurelie.B.Dubois</description>
	<pubDate>Wed, 06 Sep 2023 18:49:04 +0000</pubDate>
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		<title>Mala at Feria Material Vol. 9</title>
				
		<link>https://aureliebdubois.net/Mala-at-Feria-Material-Vol-9</link>

		<pubDate>Tue, 28 Feb 2023 15:49:47 +0000</pubDate>

		<dc:creator>Aurelie.B.Dubois</dc:creator>

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Mala at Feria Material Vol.9, Mexico, 08.02.23 - 12.02.23
&#60;img width="5152" height="7728" width_o="5152" height_o="7728" data-src="https://freight.cargo.site/t/original/i/74d342f05558793fead5f9a08bfe750d61863e703a8d0eee6500da1c44854ac6/_DSF5910_R.jpg" data-mid="170072120" border="0"  src="https://freight.cargo.site/w/1000/i/74d342f05558793fead5f9a08bfe750d61863e703a8d0eee6500da1c44854ac6/_DSF5910_R.jpg" /&#62;
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Moistest Sade of Thou I, II &#38;amp; III, 2023; 
Inkjet printed textiles, beads;
118 1/10 × 39 2/5 in &#124; 300 × 100 cm&#38;nbsp;
The Poster Child Of Morphostasis, 2019; 
Oil on canvas;&#38;nbsp;
46 9/10 × 33 1/10 in &#124; 119 × 84 cm


	
	Mala at Material Vol. 9,&#38;nbsp;08.02.23 - 12.02.23
Mala’s presentation at Material Vol. 9 proposes a dialogue between Swiss-Canadian emerging artist Aurélie Blanchette Dubois and Portuguese artist Sara Graça.The gallery presented works from the series Leaden Nights (2022) by Sara Graça, that portray nights of worry converted into memories, or thoughts that do not let you sleep. Through modeling the pieces in air-dry paste, the artist creates a light-shadow relationship that gives shape to the works distributed on the wall with a graphite finish, which gives them the appearance of lead.

By working with a material that pretends to resemble another, and playing with its inauthenticity, a feeling of in-between spaces is created. We recognize a certain relationship with domesticity in these pieces that resemble medieval engravings, where there are figurative elements that transport us into the night.

Aurélie Blanchette Dubois presents The Poster Child of Morphostasis (2019), a series of oil paintings on canvas using pipe and hose images, clipart icons and liquid splashes in a range of interior design color palette. The mere surface of the paintings becomes the expression of the pipes as defunct vessels. Exploring the limits of the ornamental against the imperative of meaning production or the institution of good taste. The Moistest Shade of Thou I &#38;amp; II (2023), a new series of textile pieces, integrates visual references to water, hoses, electric lights, and human hands weaved in patterns as if they were form a hidden narrative.

The works were presented together, in a display that suggests open curtains or stained glass windows, and a view towards a room, recalling compositions from Flemish painting, underlining the narrative and imaginative qualities of each artists’ practice.


	



Supported by the Swiss Arts Council Pro Helvetia
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		<title>Moistest Shade of Thou I, II &#38; III</title>
				
		<link>https://aureliebdubois.net/Moistest-Shade-of-Thou-I-II-III</link>

		<pubDate>Wed, 06 Sep 2023 17:53:10 +0000</pubDate>

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The Moistest Shade of Thou I, II &#38;amp; III
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The Moistest Shade of Thou I, inkjet printed textiles, beads; 118 1/10 × 39 2/5 in &#124; 300 × 100 cm. 
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The Moistest Shade of Thou II, inkjet&#38;nbsp;printed textiles, beads; 118 1/10 × 39 2/5 in &#124; 300 × 100 cm.&#38;nbsp;
Photos : Beatriz Pereira

	
	Moistest Shade of Thou

Modes of existence and interaction between humans and objects are what is at the source of my interest for the decorative function and its ideological imprint. Images as ornaments encrypt meaning and value into the fabric of an object and stimulate an interpassive relationship with its owners which equates to a linguistic of alchemistic properties. As textile sculptures, the three panels of digitally printed fabric may refer to a living room curtain. Each of the panels are composed of different series of scavenged images representing fictive elemental categories : suspension and table lamps, gardening hoses, water and human hands. These symbols are virtually and materially woven into intricate grid patterns loosely inspired from jacquard, argyle and tartan tradition. “The Moistest Shade of Thou” is a sort of omen to the fragility of the interdependent connections between the self and its material reality.


	




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		<title>Who Framed Perpetual Bliss? at Mala</title>
				
		<link>https://aureliebdubois.net/Who-Framed-Perpetual-Bliss-at-Mala</link>

		<pubDate>Wed, 06 Sep 2023 17:35:24 +0000</pubDate>

		<dc:creator>Aurelie.B.Dubois</dc:creator>

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Who Framed Perpetual Bliss ? at Mala, Lisbon,&#38;nbsp;30.04.21 - 19.06.21

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 Photos : Beatriz Pereira 



	
	Who Framed Perpetual Bliss ? at Mala, 30.04.21 - 19.06.21

The exhibition brings together the film What Exceeds (2020) and a series of textile sculptures, Conforama Balling (2021) and Meltdown Birthing (2021), produced specifically for Mala’s exhibition space.
What Exceeds is a short fiction film shown on a vertical screen where is observed a group of young adults operating a shift in their existential quest – a sort of strategic withdrawal that consist of acting in a simulacrum of professionalism. Recognizing the inherent demands of power and negotiation dynamics to defend themselves or to exercise any form of resistance, they create their community and engage in an electrical wiring practice. Flirting with the aesthetic codes of the fashion and music industry, the video and the sculptures evoke the impression of a schizophrenic state between sincerity and cynicism as the simultaneous imperatives of mainstream popular culture.
The installation of the textile pieces together with the hanging lights fixtures expand the imaginary of the film into materials. Made from a digital collage of stock images and fictitious newspaper clips printed on mesh fabric, the curtain and the soft balls scattered in the space are reminiscent of a showroom or a vacant playground. The pattern combines images of body parts with others of sewers, spilling canales and garden hoses arranged in ornamental compositions. There is a tone of nostalgia to the fashion and ideological trend displayed in the objects, a suggestion of a bygone era of future-oriented interior decoration as a class achievement.
	


Avec le soutien de la République et canton de Genève
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		<title>What Exceeds at Lemaniana</title>
				
		<link>https://aureliebdubois.net/What-Exceeds-at-Lemaniana</link>

		<pubDate>Tue, 28 Feb 2023 08:36:01 +0000</pubDate>

		<dc:creator>Aurelie.B.Dubois</dc:creator>

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Lemaniana at Centre d’art contemporain de Genève, 24.03.2021 – 15.08.2021
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Vue d’exposition de Lemaniana : Reflets d’autres scènes au Centre d’Art Contemporain Genève (24.03.2021‒15.08.2021). © Centre d’Art Contemporain Genève. Photo : Mathilda Olmi
What Exceeds, 2020, essai-fiction, 23min, HD numérique, couleur, son; video assistant : Virginia Garra; music: Nelson
Schaub; performers: Lauren Agbayani, Elliott Blackstar Jaguarr, Phoebe-Lin Elnan, Doris Hardeman, Juliet Lakhdari, David
Sentkar et Gabriel Shield-Hanau;
Centre d’art contemporain, Geneva, CH

	
	What Exceeds at Lemaniana, Centre d’Art Contemporain Genève

What Exceeds is a 23 minutes short fiction film shown on a vertical screen. A group of young adults are portrayed who, deploying a sort of strategic withdrawal from their existential quest, have decided to become professional electicians. Recognizing the demands inherent in the dynamics of power and negotiation to defend themselves or exert any form of resistance, they create their community and engage in a practice of electrical wiring. Aurélie Blanchette Dubois' film is based around the desire to explore the connection of praxis and the mechanisms of definition of social, individual and collective units, and to experiment with the bonds of mutual dependence in a context of a constant flux of media and political discourses and a certain posture towards utopia. Flirting with the aesthetic codes of the fashion and music industry, the artist seeks to evoke the impression of a schizophrenic state between sincerity and cynicism, like the simultaneous imperatives of the dominant popular culture. For either the individual or the collective, the fiction asks what remains insoluble when contrasting conflicting needs : for control and liberation, confinement and evacuation.
https://vimeo.com/484843730


	




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		<title>Bourses Déliées FCAC at Halle Nord</title>
				
		<link>https://aureliebdubois.net/Bourses-Deliees-FCAC-at-Halle-Nord</link>

		<pubDate>Wed, 06 Sep 2023 18:43:18 +0000</pubDate>

		<dc:creator>Aurelie.B.Dubois</dc:creator>

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Bourses Déliées 2020 at Halle Nord, Genève, 09.10.2020 – 01.11.2020
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Vues d’exposition des Bourses Déliées 2020 à Halle Nord, Genève. Photo :&#38;nbsp;Thomas MaisonnasseWhat Exceeds, 2020, essai-fiction, 
23min, HD numérique, couleur, son; video assistant : Virginia Garra; music: Nelson
Schaub; performers: Lauren Agbayani, Elliott Blackstar Jaguarr, Phoebe-Lin Elnan, Doris Hardeman, Juliet Lakhdari, David
Sentkar et Gabriel Shield-Hanau;

	
	Bourses Déliées 2020 at Halle Nord, Genève, 09.10.2020 - 01.11.2020

Depuis de nombreuses années, le Fonds cantonal d’art contemporain offre des bourses réservées aux jeunes créatrices et créateurs issu.e.s de la Haute école d’art et de design dans l’année qui suit leur diplôme.

A l’issue d’un concours, les artistes plasticien.ne.s ou designers sélectionné.e.s peuvent ainsi réaliser un projet personnel de recherche, et le diffuser par le bais d’une exposition et d’une édition dont la conception graphique a été confiée cette année à Emilie Excoffier.

Les travaux des lauréat.e.s en Arts visuels sont présentés chaque automne à Halle Nord, et mis en scène par les artistes en dialogue étroit avec Carole Rigaut, directrice artistique.

Parmi les diplômé.e.s 2019 de la HEAD – Genève, un jury spécifique a retenu les projets suivants :&#38;nbsp;Tomas Baumgartner, Brigida Bocini, Virginie Descamps &#38;amp; Nicolas Mazzi, Aurélie Blanchette Dubois, Juliette Gampert, Douna Lim &#38;amp; Théo Pesso, Gabriel Nunige, Paulo Wirz  


https://vimeo.com/484843730


	


	
Avec le soutien de la République et canton de Genève
&#60;img width="250" height="188" width_o="250" height_o="188" data-src="https://freight.cargo.site/t/original/i/90381510454932f4b55464e811825900d85a5c9f5c9b5e101e9525cc937d788a/Logo-Etat-Geneve.jpeg" data-mid="190180522" border="0" data-scale="10" src="https://freight.cargo.site/w/250/i/90381510454932f4b55464e811825900d85a5c9f5c9b5e101e9525cc937d788a/Logo-Etat-Geneve.jpeg" /&#62;




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		<title>Let Me Be Indifferent To Loss And Gain</title>
				
		<link>https://aureliebdubois.net/Let-Me-Be-Indifferent-To-Loss-And-Gain</link>

		<pubDate>Wed, 21 Aug 2019 14:09:14 +0000</pubDate>

		<dc:creator>Aurelie.B.Dubois</dc:creator>

		<guid isPermaLink="true">https://aureliebdubois.net/Let-Me-Be-Indifferent-To-Loss-And-Gain</guid>

		<description>

Let Me Be Indifferent to Loss And Gain
&#60;img width="5000" height="3336" width_o="5000" height_o="3336" data-src="https://freight.cargo.site/t/original/i/ea6bf228683a5323495124430b93f4d1ff9e78e3b38146795a7d1216f214b1f1/letmebe_install1_o.jpg" data-mid="49087669" border="0" data-marker-id="2" src="https://freight.cargo.site/w/1000/i/ea6bf228683a5323495124430b93f4d1ff9e78e3b38146795a7d1216f214b1f1/letmebe_install1_o.jpg" /&#62;&#60;img width="5000" height="3336" width_o="5000" height_o="3336" data-src="https://freight.cargo.site/t/original/i/59aabd3ae8f18d16c685baebb1a9ce94b8f390b6eaae8c58c0ff24940f14ed07/letmebe_install4_o.jpg" data-mid="49087672" border="0"  src="https://freight.cargo.site/w/1000/i/59aabd3ae8f18d16c685baebb1a9ce94b8f390b6eaae8c58c0ff24940f14ed07/letmebe_install4_o.jpg" /&#62;&#60;img width="5000" height="3337" width_o="5000" height_o="3337" data-src="https://freight.cargo.site/t/original/i/ec46278a82c3d75003eeb41aa40aea014215bdb15847f0007f5c5be6ebc12d92/letmebe_install5_o.jpg" data-mid="49087673" border="0"  src="https://freight.cargo.site/w/1000/i/ec46278a82c3d75003eeb41aa40aea014215bdb15847f0007f5c5be6ebc12d92/letmebe_install5_o.jpg" /&#62;&#60;img width="5000" height="3336" width_o="5000" height_o="3336" data-src="https://freight.cargo.site/t/original/i/01d53645ecd085cef8d3024ad4e81ee8ddf05c46498e5764f2d71b373fa8b7e2/letmebe_install3_o.jpg" data-mid="49087671" border="0"  src="https://freight.cargo.site/w/1000/i/01d53645ecd085cef8d3024ad4e81ee8ddf05c46498e5764f2d71b373fa8b7e2/letmebe_install3_o.jpg" /&#62;&#60;img width="5000" height="3336" width_o="5000" height_o="3336" data-src="https://freight.cargo.site/t/original/i/e3ff890ac519f897dc63c38a03b09154c5ccf9ce7c8a36490a0c4a0b2c7d57b4/letmebe_install2_o.jpg" data-mid="49087670" border="0" data-marker-id="3" src="https://freight.cargo.site/w/1000/i/e3ff890ac519f897dc63c38a03b09154c5ccf9ce7c8a36490a0c4a0b2c7d57b4/letmebe_install2_o.jpg" /&#62;
© HEAD – Genève, Emily Bonnet
Oil on canvas, inflatable dunnage bags, print on vinyl, window tinted filter, variable size2019
----MFA Diploma JuryHEAD — GenèveGeneva, CH

	
	Let Me Be Indifferent to Loss And Gain
Let Me Be... is a work that brings together two distinct series of objects in a third part that brings them together in an installation. The proposition revolves around my reinterpretation of the infamous painting+seat duo. With a color filter installed on the windows, the exhibition space, which is bathed in warm, thick natural light, immerses the visitor in the theatricality of their own encounter with the elements of the installation and their functionality. The image of pipes is a recurring decorative element in the paintings and on the surface of the inflatable seats. By combining heterogeneous aesthetics in the genre of pastiche, I am interested in blurring the notions of authoriality and authority for the benefit of generating a “pipe-like” movement of thought or the speculation of a “hose-like” consciousness. « You rest and ease the reins over your thoughts. It comes to your attention that you're carrying conflicting definitions for what "lucidity" means. » Using the five visible sides of the inflatable geometrical shape as perceivable surface for thoughts, I am interested in staging a paranoid state of shallow consciousness which echoes the contemporary ethos of the bourgeois subject.
	

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		<title>The Poster Childs Of Morphostasis</title>
				
		<link>https://aureliebdubois.net/The-Poster-Childs-Of-Morphostasis</link>

		<pubDate>Thu, 22 Aug 2019 09:53:38 +0000</pubDate>

		<dc:creator>Aurelie.B.Dubois</dc:creator>

		<guid isPermaLink="true">https://aureliebdubois.net/The-Poster-Childs-Of-Morphostasis</guid>

		<description>
The Poster Child Of Morphostasis (series)&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/9704409a27bc6207f851fc99540ca11bb12e688a778784c95e6cdccfd3bf2894/11_tuyau.jpg" data-mid="165543457" border="0"  src="https://freight.cargo.site/w/1000/i/9704409a27bc6207f851fc99540ca11bb12e688a778784c95e6cdccfd3bf2894/11_tuyau.jpg" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/a4ab18b204fc7a865d1ee28ad180211700441b5c2e5ee027ec334e2711fb3f0f/12_tuyau.jpg" data-mid="165543933" border="0"  src="https://freight.cargo.site/w/1000/i/a4ab18b204fc7a865d1ee28ad180211700441b5c2e5ee027ec334e2711fb3f0f/12_tuyau.jpg" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/39bd2acd2fd97fa2c4ea050e0dd98e7767e316810572f6db0747d7a58965b692/13_tuyau.jpg" data-mid="165543938" border="0"  src="https://freight.cargo.site/w/1000/i/39bd2acd2fd97fa2c4ea050e0dd98e7767e316810572f6db0747d7a58965b692/13_tuyau.jpg" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/ad904318ce4978e69ec6d7e33d41f11a1ce125e3aa018d2948590c536448c441/15_tuyau.jpg" data-mid="165543950" border="0"  src="https://freight.cargo.site/w/1000/i/ad904318ce4978e69ec6d7e33d41f11a1ce125e3aa018d2948590c536448c441/15_tuyau.jpg" /&#62;&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/fff90049d5bc8a1b019b770c425469868a8552e8758b08567943d4fdd534f7e7/14_tuyau.jpg" data-mid="165543944" border="0"  src="https://freight.cargo.site/w/1000/i/fff90049d5bc8a1b019b770c425469868a8552e8758b08567943d4fdd534f7e7/14_tuyau.jpg" /&#62;Oil on canvas,&#38;nbsp; 118,5 x 83,5 cm
2019

	
	The Poster Child Of Morphostasis&#38;nbsp;Poster Child is a series of oil paintings on canvas. Using the standard proportions of posters for advertisement, I reproduced a series of digital compositions using a similar vocabulary of pipe and hose images, clipart icons and liquid splashes in a range of interior design color palette. My focus of this series was to treat the pipe and hose images as if it were a standard decorative element the same way the paintings are treated themselves as standard decorative elements. Working with the depthlessness of the serial paintings, I am interested in exploring the limits of the ornamental as a site of reproduction against the imperative of meaning production. The mere surface of the paintings becomes the expression of the pipes as vessels, themselves desubjugated from their function : “to carry”. This work is part of a larger research and experimentations I have undergone with images of tubes and hose collected over the years.
	



	
	
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		<title>Hose Emancipation</title>
				
		<link>https://aureliebdubois.net/Hose-Emancipation</link>

		<pubDate>Wed, 21 Aug 2019 14:49:19 +0000</pubDate>

		<dc:creator>Aurelie.B.Dubois</dc:creator>

		<guid isPermaLink="true">https://aureliebdubois.net/Hose-Emancipation</guid>

		<description>

Hose Emancipation (series)&#60;img width="4000" height="5000" width_o="4000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/cae24e577add220c473b31908657153c6f791845e34a229bd373f69f11e2df81/emancip_painting1.jpg" data-mid="49087679" border="0"  src="https://freight.cargo.site/w/1000/i/cae24e577add220c473b31908657153c6f791845e34a229bd373f69f11e2df81/emancip_painting1.jpg" /&#62;&#60;img width="4000" height="5000" width_o="4000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/696fcf01cead2f5643def89547f4f7abd0d9cda4d1b085f8ff2eaadaf8b5f52e/emancip_painting2.jpg" data-mid="49087680" border="0"  src="https://freight.cargo.site/w/1000/i/696fcf01cead2f5643def89547f4f7abd0d9cda4d1b085f8ff2eaadaf8b5f52e/emancip_painting2.jpg" /&#62;&#60;img width="4000" height="5000" width_o="4000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/01e938eabd0df9d4747c92c78d3d0bd37b02b13b443487d4e884937bd5f0b271/emancip_painting3.jpg" data-mid="49087681" border="0"  src="https://freight.cargo.site/w/1000/i/01e938eabd0df9d4747c92c78d3d0bd37b02b13b443487d4e884937bd5f0b271/emancip_painting3.jpg" /&#62;&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/41dfaaf2798a4c3a746368768c528ea88fba5f4967d6820708344fbf84027b98/emancip_painting4.jpg" data-mid="49087682" border="0"  src="https://freight.cargo.site/w/1000/i/41dfaaf2798a4c3a746368768c528ea88fba5f4967d6820708344fbf84027b98/emancip_painting4.jpg" /&#62;
Oil on canvas, 150 x 100 cm
2019

	
	Hose EmancipationFrom a collection of pipe images gleaned from wholesale websites, my intention with this first series of paintings of pipes and hoses was to offer the image a new possibility of being through the change of medium, format and the intimate relationship created by its handmade and personal process. Billions of spirals are being drawn by the tubes and hoses when they are stored, folded for transportation or being photographed for commercial purposes. Involving myself in the speculative fiction of the foreclosed spiral drawings, I gave myself the experimental task to emancipate the representations of pipes and hoses. The series of paintings are the result of this, some forms of image empowerment.
	

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		<title>L'élément contingent at LiveInYourHead</title>
				
		<link>https://aureliebdubois.net/L-element-contingent-at-LiveInYourHead</link>

		<pubDate>Sun, 28 Jul 2019 22:58:50 +0000</pubDate>

		<dc:creator>Aurelie.B.Dubois</dc:creator>

		<guid isPermaLink="true">https://aureliebdubois.net/L-element-contingent-at-LiveInYourHead</guid>

		<description>L’élément contingent at&#38;nbsp;LiveInYourHead, Genève, 01.06.2018 - 30.06.2018
&#60;img width="455" height="646" width_o="455" height_o="646" data-src="https://freight.cargo.site/t/original/i/61f6715fdd0bf312006896b71713bf0af172d53e73fc4f1dd210c2896d3bd22b/eve_248.jpeg" data-mid="189971164" border="0"  src="https://freight.cargo.site/w/455/i/61f6715fdd0bf312006896b71713bf0af172d53e73fc4f1dd210c2896d3bd22b/eve_248.jpeg" /&#62;
&#60;img width="920" height="613" width_o="920" height_o="613" data-src="https://freight.cargo.site/t/original/i/dc3e5b3e67c48706899ac775b52e1b8d69cb99a66e87feb517126f8d7fa2a25c/liyh_l-element-contingentchead_mgiesbrecht_45.jpeg" data-mid="189971318" border="0"  src="https://freight.cargo.site/w/920/i/dc3e5b3e67c48706899ac775b52e1b8d69cb99a66e87feb517126f8d7fa2a25c/liyh_l-element-contingentchead_mgiesbrecht_45.jpeg" /&#62;&#60;img width="920" height="613" width_o="920" height_o="613" data-src="https://freight.cargo.site/t/original/i/761c9a9c60e616c4bdd587a979a4b7cf0d2948687d5c15c0b42b60bcba4442ad/liyh_l-element-contingentchead_mgiesbrecht_49.jpeg" data-mid="189971319" border="0"  src="https://freight.cargo.site/w/920/i/761c9a9c60e616c4bdd587a979a4b7cf0d2948687d5c15c0b42b60bcba4442ad/liyh_l-element-contingentchead_mgiesbrecht_49.jpeg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/fa26bcc0ed990a03793feaef8e29cd80f892907db2c9dd6680d2aa1b083892bc/LIYH_l-element-contingentHEAD_MGiesbrecht_30.jpg" data-mid="190173052" border="0"  src="https://freight.cargo.site/w/1000/i/fa26bcc0ed990a03793feaef8e29cd80f892907db2c9dd6680d2aa1b083892bc/LIYH_l-element-contingentHEAD_MGiesbrecht_30.jpg" /&#62;&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/011c662f6982aac3ccc101a9bd0a7ddd65c88046276204014110fda693f9fe15/LIYH_l-element-contingentHEAD_MGiesbrecht_29.jpg" data-mid="190173051" border="0"  src="https://freight.cargo.site/w/1000/i/011c662f6982aac3ccc101a9bd0a7ddd65c88046276204014110fda693f9fe15/LIYH_l-element-contingentHEAD_MGiesbrecht_29.jpg" /&#62;&#60;img width="920" height="613" width_o="920" height_o="613" data-src="https://freight.cargo.site/t/original/i/a07f3e076e91a0770b2bdcee691bda0f2524e533c8f21eb1b4c286cca02c6e4f/hosepen_install.jpg" data-mid="49087683" border="0"  src="https://freight.cargo.site/w/920/i/a07f3e076e91a0770b2bdcee691bda0f2524e533c8f21eb1b4c286cca02c6e4f/hosepen_install.jpg" /&#62;
Vues de l'exposition, L'élément contingent à LiveInYourHead. Photos : Michel Giesbrecht




	
	


	L’élément contingent, LiveInYourHead,&#38;nbsp;01.06.2018 - 30.06.2018
Une proposition de Bohdan Stehlik et Una Szeemann avec les étudiant-e-s Work.master
« Que veulent être les choses, une fois devenues réalité? »
L’exposition L’élément contingent spécule sur le statut des objets – trouvés, construits, ou absents – ainsi que sur les histoires, fictives ou vraies, qu’ils invoquent. Les différentes propositions&#38;nbsp;suggèrent un flottement entre phénomène&#38;nbsp;et noumène; c’est comme si les éléments&#38;nbsp;décidaient d’eux-mêmes de la meilleure&#38;nbsp;stratégie à prendre: nous paraître&#38;nbsp;ou s’effacer.

	


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		<title>Transient Hose Penetration</title>
				
		<link>https://aureliebdubois.net/Transient-Hose-Penetration</link>

		<pubDate>Wed, 06 Sep 2023 18:49:04 +0000</pubDate>

		<dc:creator>Aurelie.B.Dubois</dc:creator>

		<guid isPermaLink="true">https://aureliebdubois.net/Transient-Hose-Penetration</guid>

		<description>Transient Hose Penetration
&#60;img width="1066" height="710" width_o="1066" height_o="710" data-src="https://freight.cargo.site/t/original/i/599d60893a21270cc926cda4702111889610ffa673587d58bd7b1aaf7fbd10b3/hosepen_screenshot21.jpg" data-mid="189970959" border="0"  src="https://freight.cargo.site/w/1000/i/599d60893a21270cc926cda4702111889610ffa673587d58bd7b1aaf7fbd10b3/hosepen_screenshot21.jpg" /&#62;&#60;img width="1061" height="707" width_o="1061" height_o="707" data-src="https://freight.cargo.site/t/original/i/7f30385f5074b852a3562cdf0e5eaa97f0cfeda022dbe23d861186e632d00837/hosepen_screenshot31.jpg" data-mid="189970960" border="0"  src="https://freight.cargo.site/w/1000/i/7f30385f5074b852a3562cdf0e5eaa97f0cfeda022dbe23d861186e632d00837/hosepen_screenshot31.jpg" /&#62;&#60;img width="1071" height="714" width_o="1071" height_o="714" data-src="https://freight.cargo.site/t/original/i/2224fb4c598183c01dd6124976f829086b99464f201680ed47d0bed0ef952d2b/hosepen_screenshot41.jpg" data-mid="189970961" border="0"  src="https://freight.cargo.site/w/1000/i/2224fb4c598183c01dd6124976f829086b99464f201680ed47d0bed0ef952d2b/hosepen_screenshot41.jpg" /&#62;

&#60;img width="1077" height="718" width_o="1077" height_o="718" data-src="https://freight.cargo.site/t/original/i/ae7e020e8ddea181a1821795f3ee9b63d0f657f56475f52490389a956d77a391/hosepen_screenshot.jpg" data-mid="189970958" border="0"  src="https://freight.cargo.site/w/1000/i/ae7e020e8ddea181a1821795f3ee9b63d0f657f56475f52490389a956d77a391/hosepen_screenshot.jpg" /&#62;
Stills from the video, Transient Hose Penetration, 2018
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